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OPEN COMPETITION 2025: WINNING POEMS

On this page we reproduce the three prize-winning poems from the 2025 Open Competition. 

First Prize:

 

After the calving

 

we open the byre door onto a dawn discovering itself

and she strides across the ice-brittled yard, scarcely glancing up

 

as I pack away. Cattle raise their heads as she passes, bellow

recognition, breath billowing in the November air.

 

Walking up shit-splashed passageways, she slaps

rumps and they part for her, grunting at the offer of silage.

 

Untethered collies plait themselves around the quad bike

as it grumbles, throaty, in the hardening light.

 

Unlatching the frost-rimed gate with chapped hands, she’s off,

dogs balancing into the swerve and tilt of the bike.

 

Sheep stream to her call, shoaling around the ewe nuts

she tips onto the frozen ground carefully one step ahead.

 

Shaking the sacks to release the last nut she looks across the valley

head full of liveweight gains, grant application deadlines.

 

Behind her, unfolding over the fell, the sun’s warmth

comes unnoticed, melting the ice pearls stringing wire to post.

Ilse Pedler

Second Prize:

 

Roughly The Same

 

A wren weighs roughly the same

as a wedding ring. The first time

he left; my father returned after 2

or 3 weeks with a small blue bowl,

roughly the size of a wren’s nest,

a peace offering for my mother.

One summer I found a wrens’ nest

on a ledge outside my office.

Whenever I opened the door,

the male would panic and shriek

to defend his family. A wren

fledges 2 or 3 weeks after hatching.

The second time my father left,

it was forever. He left his wedding ring

in the small blue bowl. A male wren

may mate with more than one female.

Vanessa Lampert

Third Prize

Bus

 

At the front, on the top of a green double-decker,

you’re sneaking a look at the rooks on their nests

in the oak trees, and they’re looking back. There’s a buzzard

above, and a pheasant that flies like it yearns to be

roadkill, and meanwhile the ravens are nesting up

high in a pylon that’s buzzing with static.

 

Now it crawls through a village that’s red-stoned and retro,

and swerves past the cars that are straddling the pavement.

You’re inches from windows of incomers’ bedrooms,

and every so often, the bus hits the edges

of outjutting trees, and the slap of the twigs on

the glass ought to wake the man dozing behind you.

 

Now it runs by the railway that closed in the sixties,

where foxes and badgers run regular services

out through the brambles and blackthorn and grass.

There’s a view of the hills that you once knew the names of,

a field full of panels all harvesting sunshine,

the rows of black panels all harvesting sunshine.

 

So it’s onwards and downwards, you’re out of the boondocks

where fifty-year memories warp your perspective,

and into the burbs where the roads are all altered,

with buds on the conker trees going off bang

among ugly big sheds, and where weighty decisions

are made by small chancers who don’t get the bus.

 

Mark Totterdell

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